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Albrechtice near Jablonec. Sixteen-year-old Pavlínka Linková lives with her grandmother Barbara, a local midwife who raised her after the death of the girl's parents. The charming girl experiences her first amorous outburst towards Pavel Žák, a young textile worker in nearby Svárovo. Her grandmother, however, prevents her from contacting Pavel in every possible way. Firstly, as a midwife, she knows well what can happen, and secondly, she remembers her old adventures well. Love, however, cannot be ordered around, especially not by a worried grandmother. But there are other obstacles. The textile workers of Svárovo are planning a strike and a demonstration against redundancies and wage cuts, and the factory director is preparing a vigorous response. The year is 1870 and the unsuspecting Pavlina finds herself in the middle of events that will go down in history...

American Chick is inspired by the life story of a woman, called Ema Černá in the film, whom the director met during his period of homelessness and who tries to carry on living her life against all odds. Černá goes through an orphanage, foster care and a detention centre. She endures the ordeals – including bullying and beatings – driven by the desire to meet her father, who supposedly lives in the USA (she was born there and was brought to Czechoslovakia at the age of nine by her mother, who then abandoned her). The director calls American Chick “a probe into the history of the Czechoslovakia of the 1980s and 1990s” and “a contemporary drama about freedom, ostracism and the desire to live”. 　　The theatrical version centres on childhood, while the film will follow the protagonist through different moments in her life, into the present day. However, the stigma that the protagonist bears continues to have an influence on her life. The dream of finding her father in the USA is vanishing, and she has to learn to come to terms with her own faults and accept her fate.

American Chick is inspired by the life story of a woman, called Ema Černá in the film, whom the director met during his period of homelessness and who tries to carry on living her life against all odds. Černá goes through an orphanage, foster care and a detention centre. She endures the ordeals – including bullying and beatings – driven by the desire to meet her father, who supposedly lives in the USA (she was born there and was brought to Czechoslovakia at the age of nine by her mother, who then abandoned her). The director calls American Chick “a probe into the history of the Czechoslovakia of the 1980s and 1990s” and “a contemporary drama about freedom, ostracism and the desire to live”. 　　The theatrical version centres on childhood, while the film will follow the protagonist through different moments in her life, into the present day. However, the stigma that the protagonist bears continues to have an influence on her life. The dream of finding her father in the USA is vanishing, and she has to learn to come to terms with her own faults and accept her fate.

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Ryōmaden is the 49th NHK Taiga drama. It was shown on NHK from January 3 to November 28, 2010 spanning 48 episodes. The story centers on the life of 19th-century Japanese historical figures Iwasaki Yatarō and Sakamoto Ryōma. It has been announced that the series will be aired in several other countries, for example Hong Kong, South Korea, Taiwan and Thailand.

A certain Mr. Mlácen is brought to the asylum, wanting to sell two church bells. He first offers them to merchants in an inn. He claims that he received them as an inheritance from his uncle, but he doesn't know what to do with them. But no one wants to buy them. Because of this, he first finds himself in a commissary and is eventually sent to an asylum. The professor (L. Kopřiva), who believes that Mr. Mlácen suffers from some kind of fixed idea and is mentally ill, promises him that he will buy his two bells back...

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

The story of a man who bought a cannon during the anti-German mobilisation and then hid with it in a wine cellar for the whole war.